You do not need a studio. You need one window, one surface, and the discipline to shoot the thing people actually order.
Sailo team2 min read
The most common mistake is photographing the whole menu. The second is photographing it at night, under the kitchen lights, on a stainless steel counter.
You are not making a catalogue. You are making someone hungry.
Daylight from the side, at an angle, is the only light you need. Put the plate on a table near a window, stand so the light comes across the food rather than from behind you, and shoot.
Turn the ceiling lights off. Mixed light — warm bulbs plus cool daylight — is what makes home photography look like home photography.
If you photograph five dishes and three are blurry, you have wasted an afternoon. Photograph one dish properly:
| What you show | What the buyer reads |
|---|---|
| Steam, or a cut edge | It is hot, it is fresh |
| A hand reaching in | It is real, someone eats this |
| An empty plate beside it | It is a portion, not a prop |
Six good photographs will carry a shop for a year. Take those, put a price under each one, and go back to cooking.
The same one-window rule works for anything you sell, not just food — there's a fuller version in product photography for small sellers. Once the pictures are done, the next thing that decides whether someone orders is what you write underneath them.
Written by
Sailo team
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One email on pricing, photographs, delivery and getting paid. No pitch, no filler.
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